Of all the things I know
I understand almost nothing
Posts tonen met het label Rexo. Alle posts tonen
Posts tonen met het label Rexo. Alle posts tonen

zondag 24 februari 2013

Trygve Gulbranssen

I had the early mass today, and the world was white again! So I took my ФЕД with the 50mm Elmar, threw the FP3 in tired Fredol, and out came one "Norsk" picture.

Trygve Gulbranssen: Og bakom singer skogene (1933)

zondag 17 februari 2013

De Blonde Pater



Sunday morning started rather early and very dull. But after the best (prize-winning) espresso in the land I felt much better.
This view is just around the corner.
1973 FP3 in the Киев, orange filter on the 1978 Юпитер 8M, 1/25 at 2,8
in still good interbellum REXO fredol/quinone.

vrijdag 15 februari 2013

REXO developer


Lovely weather, misty, quiet.
1973 FP3 first in the Praktica LTL3 and then in the Burke & James from Chicago.
Fredol, very old stuff. Nice.
1/30 at 5,6 Super Albinar 28mm.

dinsdag 1 januari 2013

The 2013 New Year Lecture...




 Working with old developer

This won't be a nice, in-depth tutorial, because it is still very much work in progress, but nevertheless...
You all know by now that I love to use old stuff: cameras and film, but also chemicals. (I use that word because I once had Russian seventies фиксаж... hà!)

Normally I use reliable Rodinal, at the moment "Promicrol" (the q.m. because it's not real Promicrol any more, alas), but if I can get it: Tabloid, Реактив (great stuff!), Montauk - the older the better.

Yes, there are some problems.
Fluids, like Tetenal Neofin, tend to disappear into thin air - and they don't work.



But the powders - the only problem, sometimes, is to get them out of the tube, or the envelope. When that is difficult, I just put everything (yes: developer, activator, glass, paper and stoppers) in the water, wait (leave it covered in the dark) and filter it. Works.

Wòrks? Yes, they work. Young seventies РЕАКТИВ or a century old   
Eastman, they will develop your film. The solution can be clear, cloudy or dark brown - that doesn't matter.

Developing time: I follow the decades old instructions. (! That's not me...)



Mostly I make 500 ml, and use that for let's say 4 or 5 films, but it dies rather suddenly - and in fact I am happy when I get one or two films out of it.

Dating: yes, that ìs a problem. The Ucrainian stamp it on, nice. Sometimes there is a manual with names of film, or the firm still exists. Often it's just educated guessing.



But always: surprise, satisfaction. Admiration, too. FUN.